忘神的浸泡只為勾勒意識的片段，我將世界留在我身後遠方

我依賴直觀的方式創作，將記憶情感與情緒以創作成像，仿造衍生與演化使形體茁生。因爲相信生命記憶深植在我們意識之中。在作品面前，觀者展開個人感知閱讀作品，將對形體的疑惑於當下感受且參與其中，這一切的創造與形體茁升，終將在觀察中被完成，以完整這一切的創造。

類似有機生物隨意滋長的狀態，使用毛線編織的線性繚繞扭轉，在眼前的天空勾勒成型。它就像是吸納著靡萎空氣的新生物，趁飄浮的手指縫隙間，衍生出新品種，為聚集一個偽樂園新宇宙而誕生。在此創作下，沒有設定疆界的意識，只有企圖追尋某種意識外遇的理由；以繁衍的天命用氤黯的氣習，述說一種爛慢的直觀美學，對世界歸納出一種關於「低感知的視覺詩」，將一切發生在自我愉悅之餘。

Leaving the world far behind, I sink spellbound into myself to shape fragments of consciousness.

My creations have relied on my instinct. I formed my memories and emotions into concrete image by creating. I mimicked the derivative and evolution to show the emergence.As I believe the memories of lives are planted in our conscious, when people are in front of the creations, the observer would expand their personal sensation to connect, and question the object at the moment even participate in them. Ultimately, this creation and emergence will be done during the observation, which is to complete the whole process of the creation. 

With the curls and twists of a string of yarn, the artist weaves a sprawling organic being before our eyes. The being is akin to a new creature that inhales the languished air and through the fingers of a weaver gives birth to another new breed, all for the purpose of creating a false world.In such a creative process, there is no awareness that draws the boundaries, only occasional attempts to create an excuse for any deviation. The artist depicts humankind’s reproductive purposes in a nebulous form to narrate a brilliant intuitive aesthetic, which sums up the world as a “low-awareness visual poem” in which self-gratification rises above everything else.